No matter your ideas on how ABC’s Lost developed through the years (or its weird imaginative and prescient of “heaven”), practically everybody can agree that its pilot is a reasonably good piece of tv. Not solely does it introduce a wealthy, freaky thriller laden with chance, but it surely compellingly introduces a core ensemble of at least 14 characters whereas additionally laying out the principles of its “flashback” construction.
A brand new video essay from Ideas At Play digs deeper, utilizing particular examples from the sequence for instance how the pilot helps bridge the hole between two eras in TV consumption. Where as soon as networks produced pilots primed for syndication (i.e. replay worth), the rise of streaming tradition has created a brand new viewer: the binge watcher. Lost represents each modes, with its flashback construction telling full tales on their very own and its foremost storyline roughly screaming at viewers to instantly watch the following episode.
Lost is a character-driven present, in the beginning, and, utilizing character arcs, filmmaking selections, and explicit edits, the essay reveals how the pilot emphasizes the numerous methods wherein character would be the vessel by which this story is informed.